11 |
THE ADVENT |
- |
- |
- |
|
THE |
33 |
15 |
|
|
ADVENT |
66 |
21 |
|
9 |
THE ADVENT |
99 |
36 |
9 |
- |
- |
9+9 |
3+6 |
- |
2 |
THE ADVENT |
9 |
9 |
9 |
WISE WISDOM LOST AT SEA DROWNED IN A SEE OF KNOWLEDGE
...
26 |
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I |
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8 |
9 |
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5 |
6 |
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1 |
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6 |
|
8 |
+ |
= |
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4+3 |
= |
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= |
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= |
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8 |
9 |
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14 |
15 |
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19 |
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24 |
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26 |
+ |
= |
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1+1+5 |
= |
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= |
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= |
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26 |
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1 |
2 |
3 |
4 |
5 |
6 |
7 |
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1 |
2 |
3 |
4 |
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7 |
8 |
9 |
|
2 |
3 |
4 |
5 |
|
7 |
|
+ |
= |
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8+3 |
= |
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1+1 |
|
= |
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1 |
2 |
3 |
4 |
5 |
6 |
7 |
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10 |
11 |
12 |
13 |
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16 |
17 |
18 |
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20 |
21 |
22 |
23 |
|
25 |
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+ |
= |
|
2+3+6 |
= |
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1+1 |
|
= |
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26 |
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1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
10 |
11 |
12 |
13 |
14 |
15 |
16 |
17 |
18 |
19 |
20 |
21 |
22 |
23 |
24 |
25 |
26 |
+ |
= |
|
3+5+1 |
= |
|
= |
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= |
|
|
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
+ |
= |
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1+2+6 |
= |
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= |
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= |
|
26 |
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1 |
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1 |
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1 |
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+ |
= |
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occurs |
x |
3 |
= |
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2 |
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2 |
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2 |
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occurs |
x |
3 |
= |
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3 |
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3 |
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3 |
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+ |
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occurs |
x |
3 |
= |
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4 |
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4 |
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4 |
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+ |
= |
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occurs |
x |
3 |
= |
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1+2 |
|
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5 |
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5 |
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5 |
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occurs |
x |
3 |
= |
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1+5 |
|
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6 |
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6 |
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6 |
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+ |
= |
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occurs |
x |
3 |
= |
|
1+8 |
|
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7 |
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7 |
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7 |
|
+ |
= |
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occurs |
x |
3 |
= |
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2+1 |
|
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8 |
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8 |
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8 |
+ |
= |
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occurs |
x |
3 |
= |
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2+4 |
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9 |
|
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9 |
- |
- |
- |
- |
- |
- |
- |
- |
+ |
= |
|
occurs |
x |
2 |
= |
|
1+8 |
|
26 |
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I |
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4+5 |
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2+6 |
|
1+2+6 |
|
5+4 |
26 |
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I |
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1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
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26 |
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THE LIGHT IS RISING NOW RISING IS THE LIGHT
....
A |
B |
C |
D |
E |
F |
G |
H |
I |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
J |
K |
L |
M |
N |
O |
P |
Q |
R |
10 |
11 |
12 |
13 |
14 |
15 |
16 |
17 |
18 |
1+0 |
1+1 |
1+2 |
1+3 |
1+4 |
1+5 |
1+6 |
1+7 |
1+8 |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
= |
= |
= |
= |
= |
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= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
S |
T |
U |
V |
W |
X |
Y |
Z |
I |
19 |
20 |
21 |
22 |
23 |
24 |
25 |
26 |
9 |
1+9 |
2+0 |
2+1 |
2+2 |
2+3 |
2+4 |
2+5 |
2+6 |
ME |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
I |
ME |
I |
ME |
I |
ME |
I |
ME |
I |
9 |
18 |
9 |
18 |
9 |
18 |
9 |
18 |
9 |
= |
1+8 |
= |
1+8 |
= |
1+8 |
= |
1+8 |
= |
= |
9 |
= |
9 |
= |
9 |
= |
9 |
= |
I |
ME |
I |
ME |
I |
ME |
I |
ME |
1 |
9 |
9 |
9 |
9 |
9 |
9 |
9 |
9 |
9 |
I |
ME |
I |
ME |
I |
ME |
I |
ME |
1 |
A |
B |
C |
D |
E |
F |
G |
H |
I |
J |
K |
L |
M |
N |
O |
P |
Q |
R |
S |
T |
U |
V |
W |
X |
Y |
Z |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
10 |
11 |
12 |
13 |
14 |
15 |
16 |
17 |
18 |
19 |
20 |
21 |
22 |
23 |
24 |
25 |
26 |
|
|
|
|
|
|
|
|
|
1+0 |
1+1 |
1+2 |
1+3 |
1+4 |
1+5 |
1+6 |
1+7 |
1+8 |
1+9 |
2+0 |
2+1 |
2+2 |
2+3 |
2+4 |
2+5 |
2+6 |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
A |
B |
C |
D |
E |
F |
G |
H |
I |
J |
K |
L |
M |
N |
O |
P |
Q |
R |
S |
T |
U |
V |
W |
X |
Y |
Z |
|
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A |
B |
C |
D |
E |
F |
G |
H |
I |
J |
K |
L |
M |
N |
O |
P |
Q |
R |
S |
T |
U |
V |
W |
X |
Y |
Z |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
A |
B |
C |
D |
E |
F |
G |
H |
I |
J |
K |
L |
M |
N |
O |
P |
Q |
R |
S |
T |
U |
V |
W |
X |
Y |
Z |
A |
B |
C |
D |
E |
F |
G |
H |
I |
J |
K |
L |
M |
N |
O |
P |
Q |
R |
S |
T |
U |
V |
W |
X |
Y |
Z |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
10 |
11 |
12 |
13 |
14 |
15 |
16 |
17 |
18 |
19 |
20 |
21 |
22 |
23 |
24 |
25 |
26 |
|
|
|
|
|
|
|
|
|
1+0 |
1+1 |
1+2 |
1+3 |
1+4 |
1+5 |
1+6 |
1+7 |
1+8 |
1+9 |
2+0 |
2+1 |
2+2 |
2+3 |
2+4 |
2+5 |
2+6 |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
A |
B |
C |
D |
E |
F |
G |
H |
I |
J |
K |
L |
M |
N |
O |
P |
Q |
R |
S |
T |
U |
V |
W |
X |
Y |
Z |
|
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A |
B |
C |
D |
E |
F |
G |
H |
I |
J |
K |
L |
M |
N |
O |
P |
Q |
R |
S |
T |
U |
V |
W |
X |
Y |
Z |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
A |
B |
C |
D |
E |
F |
G |
H |
I |
J |
K |
L |
M |
N |
O |
P |
Q |
R |
S |
T |
U |
V |
W |
X |
Y |
Z |
1
A J S
1 10 19
30
3 + 0
3
3
3 |
2
B K T
2 11 20
33
3 + 3
6
6
6 |
3
C L U
3 12 21
36
3 + 6
9
9
9 |
4
D M V
4 13 22
39
3 + 9
12
1 + 2
3 |
5
E N W
5 14 23
42
4 + 2
6
6
6 |
6
F O X
6 15 24
45
4 + 5
9
9
9 |
7
G P Y
7 16 25
48
4 + 8
12
1 + 2
3 |
8
H Q Z
8 17 26
51
5 + 1
6
6
6 |
9
I R
9 18
27
2 + 7
9
9
9 |
9 + 9
A |
B |
C |
D |
E |
F |
G |
H |
I |
J |
K |
L |
M |
N |
O |
P |
Q |
R |
S |
T |
U |
V |
W |
X |
Y |
Z |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
10 |
11 |
12 |
13 |
14 |
15 |
16 |
17 |
18 |
19 |
20 |
21 |
22 |
23 |
24 |
25 |
26 |
A |
B |
C |
D |
E |
F |
G |
H |
I |
J |
K |
L |
M |
N |
O |
P |
Q |
R |
S |
T |
U |
V |
W |
X |
Y |
Z |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
A |
B |
C |
D |
E |
F |
G |
H |
I |
J |
K |
L |
M |
N |
O |
P |
Q |
R |
S |
T |
U |
V |
W |
X |
Y |
Z |
A |
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Z |
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B |
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Y |
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C |
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X |
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D |
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M |
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A |
B |
C |
D |
E |
F |
G |
H |
I |
J |
K |
L |
M |
N |
O |
P |
Q |
R |
S |
T |
U |
V |
W |
X |
Y |
Z |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
10 |
11 |
12 |
13 |
14 |
15 |
16 |
17 |
18 |
19 |
20 |
21 |
22 |
23 |
24 |
25 |
26 |
A |
B |
C |
D |
E |
F |
G |
H |
I |
J |
K |
L |
M |
N |
O |
P |
Q |
R |
S |
T |
U |
V |
W |
X |
Y |
Z |
O |
= |
6 |
- |
3 |
OUT |
56 |
11 |
2 |
O |
= |
6 |
- |
2 |
OF |
21 |
12 |
3 |
Z |
= |
8 |
- |
4 |
ZERO |
64 |
28 |
1 |
C |
= |
3 |
- |
6 |
COMETH |
64 |
28 |
1 |
O |
= |
6 |
- |
3 |
ONE |
34 |
16 |
7 |
|
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29 |
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18 |
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14 |
- |
- |
2+9 |
- |
1+8 |
- |
2+3+9 |
9+5 |
1+4 |
- |
- |
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- |
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- |
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- |
- |
1+1 |
- |
- |
- |
1+4 |
1+4 |
- |
- |
- |
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- |
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- |
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ZERO = 1 = ZERO
1234 5 6789
- |
ALL IS NUMBER |
- |
- |
- |
3 |
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25 |
7 |
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2 |
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28 |
10 |
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6 |
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73 |
28 |
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ALL IS NUMBER |
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- |
1+2+6 |
4+5 |
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ALL IS NUMBER |
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4 |
BOOK |
43 |
16 |
7 |
2 |
OF |
21 |
12 |
3 |
6 |
COMING |
61 |
34 |
7 |
5 |
FORTH |
67 |
31 |
4 |
4 |
INTO |
58 |
22 |
4 |
5 |
LIGHT |
56 |
29 |
2 |
26 |
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3+0+6 |
1+4+4 |
2+7 |
8 |
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ENTERS NETERS ENTERS THE NETERS NETERS ENTERS
GODS HOST GODS HOST GODS HOLY GHOST
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
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4 |
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60 |
24 |
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5 |
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69 |
24 |
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Add to Reduce |
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1+7 |
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1+2 |
Reduce to Deduce |
1+6+2 |
6+3 |
1+8 |
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Essence of Number |
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4 |
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45 |
18 |
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1 |
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9 |
9 |
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5 |
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82 |
28 |
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First Total |
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1+8 |
|
1+0 |
Add to Reduce |
1+3+6 |
5+5 |
1+9 |
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Second Total |
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1+0 |
Reduce to Deduce |
1+0 |
1+0 |
1+0 |
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Essence of Number |
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GODS SPIRIT GODS
I
TRIPS
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1 |
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19 |
10 |
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1 |
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16 |
7 |
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1 |
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9 |
9 |
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1 |
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18 |
9 |
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1 |
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9 |
9 |
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1 |
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20 |
2 |
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3+7 |
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1+0 |
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9+1 |
4+6 |
3+7 |
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2+7 |
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1+0 |
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1+0 |
1+0 |
1+0 |
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A |
= |
1 |
- |
3 |
AND |
19 |
10 |
1 |
B |
= |
2 |
- |
7 |
BECAUSE |
56 |
20 |
2 |
Y |
= |
7 |
- |
4 |
YOUR |
79 |
25 |
7 |
M |
= |
4 |
- |
4 |
MINE |
41 |
23 |
5 |
I |
= |
9 |
- |
3 |
I'VE |
36 |
18 |
9 |
W |
= |
5 |
- |
6 |
WALKED |
56 |
20 |
2 |
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
L |
= |
3 |
- |
4 |
LINE |
40 |
22 |
4 |
- |
- |
|
- |
|
- |
|
|
|
- |
- |
3+3 |
- |
3+4 |
- |
3+2+4 |
1+3+5 |
3+6 |
- |
- |
|
- |
|
- |
|
|
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
BECAUSE YOUR MINE |
- |
- |
- |
I |
= |
9 |
- |
3 |
I'LL |
33 |
15 |
6 |
W |
= |
5 |
- |
4 |
WALK |
47 |
11 |
2 |
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
L |
= |
3 |
- |
4 |
LINE |
40 |
22 |
4 |
- |
- |
|
- |
|
- |
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|
1+9 |
- |
1+8 |
- |
1+5+3 |
6+3 |
1+8 |
- |
- |
|
- |
|
- |
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1+0 |
- |
- |
- |
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- |
- |
- |
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- |
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- |
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6 |
|
63 |
36 |
|
4 |
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54 |
18 |
|
2 |
|
28 |
19 |
|
4 |
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35 |
8 |
|
4 |
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35 |
8 |
|
2 |
|
28 |
19 |
|
4 |
|
54 |
18 |
|
6 |
|
63 |
36 |
|
|
Add to Reduce |
|
|
|
3+2 |
Reduce to Deduce |
3+6+0 |
1+6+2 |
5+4 |
|
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|
THE ELEMENTS OF EGYPTIAN WISDOM
Naomi Ozaniec 1994
THE SACRED SCRIPT - THE MEDU NETERS
Page 80 / The logical mind begins to reel / Page 81 / Language as evocation is immensely powerful. Word play is not finished; Neith can also be written by spelling the 't' with the sign for land, ta, in combination with the sign for water, 'n'. This particular hieroglyph represents ruffled water. By spelling the same name in a different way, we are presented with a different set of ideas. Here is Neith as 'the primeval water which gave birth to the land,' a theologically familiar concept. Once again a brief word encapsulates both divine name and divine function.
Hieroglyphic omitted
Schwaller de Lubicz reminds us repeatedly that we do need to look for a convoluted symbolism. The Medu Neters were chosen in such a way as to really signify all the qualities and functions implicit in the image. We are of course removed from the direct observation of vulture and ibis, crocodile and falcon, It is hard for us to understand the subtleties of movement, habit or life cycle which prompted a recognition deep in the Egyptian mind. It is well known that the humble dung beetle was raised to a sacred status from its simple egg-laying habit. The young emerged from the ball of dung as new life unbegotten. It is less well known that the scarab resembles the human skull, its two wing cases being reminiscent of the two halves of the human skull.
The ability to find the cosmic In the mundane through a correspondence is the hallmark of a mind sensitized through symbolic training. Any contemporary Qabalist recognizes this function for what it is, the inner workings of an esoteric system. These brief examples serve to illustrate the workings of both the Egyptian mind and the Egyptian tradition. Each letter had its own secret; all sacred alphabets are constructed in this way. Moreover a sacred language always serves a double purpose, a written double entendre. To the uninitiated there is no secret to hide. The language functions perfectly well at a purely practical level. To the initiated there exists another level of inner meaning as opposed to the apparent meaning. The inner meaning requires no elaborate subterfuge. It is there all the time, open and blatant. 'It / Page 82 / is hidden from view only because it represents a higher non-cerebral consciousness which simply evades the logical mind.
The Egyptians preserved this double function with astonishing brilliance and clarity over an immensely long period of time. Hebrew still functions as a sacred alphabet.. Each of its letters signifies ideas, numbers and cosmic principles.. A word becomes a code for an abstraction, a metaphysical concept, an esoteric teaching. An outsider cannot penetrate into the labyrinthine maze of meanings without becoming lost in ideas and distracted by elusive possibilities. A guide is always required in such matters - scribal training took place through an apprenticeship system. It is a mistake to think that we might uncover how the scribes viewed individual hieroglyphs by simply applying any meaning that springs to our mind. It is Clear that individual signs and arrangements carried a precise range of corresponding symbols.
Schwaller de Lubicz acts as our guide into the intricacies of an individual hieroglyph in the book Her-Bak.
The letter r is written in the lenticular shape of a half open mouth. Now look. for the ideas, qualities and functions this sign represents. First, its nature. The mouth, ra, is the upper opening of the body, an entrance that communicates by two channels with the lungs and stomach; that is why this hieroglyph is also the generic word for an entrance, ra. The mouth opens and shuts to eat, breathe and speak, as the eye, ar.t, opens and shuts to receive or refuse light. The mouth's function is dual, passive and active, it receives air and food, emits breath and voice. The eye's function is dual, likewise 'the reception of light and expression of organic and emotional response. The mouth's shape changes by the separation of the lips for the performance of its function. Opening, it widens or narrows like the shadow thrown on a disc by another disc which gradually eclipses it. In the partially occulted disc, the lentil or dark mouth is the complement of the crescent still visible. This gradual change of shape produces portions of different size that represents parts of the occulted disc. The characteristic has given the name ra to parts of a whole such as numerical fractions, chapters and so forth.
Page 83
These profound thoughts revolve around a single letter majestic insights might we discover if only someone would serve as our guide through all the hieroglyphic combinations! Here is a way of thinking quite unlike our own, a mind set removed from our utilitarian use of language. This totally symbolic thinking produced completely practical applications, as we see through Egypt's many lasting achievements there is no grounds whatsoever for thinking that this symbolic system produced woolly mindedness. On the contrary it gave rise to a mind that was both extensive and focused, deep and creative, traditonal yet original.
- |
CHRIST |
- |
- |
- |
|
C |
3 |
3 |
|
|
RISH |
54 |
27 |
|
|
T |
20 |
2 |
|
6 |
CHRIST |
77 |
32 |
14 |
- |
- |
7+7 |
3+2 |
1+4 |
6 |
CHRIST |
14 |
5 |
5 |
Eminence - Wikipedia
https://en.wikipedia.org/wiki/Eminence
Anatomy[edit]. In anatomy, eminence implies a protuberance, and may refer to a variety of structures: Collateral eminence, alongside the hippocampus in the ...
eminence
noun: eminence; plural noun: eminences
1.
fame or acknowledged superiority within a particular sphere.
"her eminence in cinematography"
synonyms: illustriousness, distinction, renown, pre-eminence, notability, greatness, calibre, prestige, importance, reputation, repute, note; More
fame, celebrity, prominence;
stature, standing, rank, station
"his eminence as a scientist is well known"
2.
an important or distinguished person.
"the Lord Chancellor canvassed the views of various legal eminences"
synonyms: important person, influential person, distinguished person, dignitary, luminary, worthy, grandee, notable, notability, personage, leading light, VIP; More
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4+1 |
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1+0 |
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8+6 |
4+1 |
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2+5 |
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1+4 |
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5 |
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4 |
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9 |
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14 |
5 |
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5 |
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14 |
5 |
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3 |
3 |
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4+1 |
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8+6 |
4+1 |
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2+5 |
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1+4 |
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13 |
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5 |
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14 |
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5 |
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14 |
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5 |
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9 |
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4+1 |
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1+0 |
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8+6 |
4+1 |
4+1 |
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2+5 |
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1+4 |
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1 |
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3 |
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1 |
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13 |
4 |
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1 |
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5 |
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14 |
5 |
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1 |
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5 |
5 |
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1 |
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14 |
5 |
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1 |
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5 |
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1 |
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9 |
9 |
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4+1 |
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1+0 |
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8+6 |
4+1 |
4+1 |
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2+5 |
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1+4 |
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éminence grise - definition of éminence grise in English | Oxford ...
https://en.oxforddictionaries.com/definition/eminence_grise
1930s: French, literally 'grey eminence'. The term was originally applied to Cardinal Richelieu's grey-cloaked private secretary, Père Joseph (1577–1638).
Éminence grise - Wikipedia
https://en.wikipedia.org/wiki/Éminence_grise
An éminence grise or grey eminence is a powerful decision-maker or adviser who operates ... Aldous Huxley wrote an English biography of Leclerc entitled, Grey Eminence. There is also an 1873 painting by Jean-Léon Gérôme, L'Éminence ...
An éminence grise (French pronunciation: ?[emin?~s g?iz]) or grey eminence is a powerful decision-maker or adviser who operates "behind the scenes" or, in a non-public or unofficial capacity
LA GRANDE PUPPETEER 1979
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2 |
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13 |
4 |
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6 |
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49 |
31 |
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9 |
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122 |
50 |
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2 |
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28 |
19 |
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3 |
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26 |
17 |
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4 |
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40 |
22 |
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2 |
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28 |
19 |
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|
|
|
|
|
|
|
|
|
|
|
|
|
|
First Total |
|
|
|
|
|
4+6 |
|
2+8 |
Add to Reduce |
3+6+0 |
1+6+2 |
2+7 |
|
|
|
|
|
Second Total |
|
|
|
|
|
1+0 |
|
1+0 |
Reduce to Deduce |
|
|
|
|
|
|
|
|
Essence of Number |
|
|
|
|
|
|
|
3 |
|
33 |
15 |
|
|
|
|
|
7 |
|
113 |
41 |
|
|
|
|
|
3 |
|
19 |
10 |
|
|
|
|
|
10 |
|
141 |
60 |
|
|
|
|
|
|
Add to Reduce |
|
|
|
|
|
1+7 |
|
2+3 |
Reduce to Deduce |
3+6+0 |
1+6+2 |
1+8 |
|
|
|
|
|
Essence of Number |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
8 |
8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
21 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
13 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2+1 |
|
|
|
5+7 |
2+1 |
2+1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
8 |
8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
21 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
13 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2+1 |
|
|
|
5+7 |
2+1 |
2+1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
HUMAN ALL TOO HUMAN
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
21 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
13 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
8 |
8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2+1 |
|
|
|
5+7 |
2+1 |
2+1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
1 |
|
21 |
3 |
|
|
|
|
|
|
|
|
|
|
|
1 |
|
13 |
4 |
|
|
|
|
|
|
|
|
|
|
|
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
1 |
|
8 |
8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2+1 |
|
|
|
5+7 |
2+1 |
2+1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
23 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
15 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
18 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
12 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
4 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2+7 |
|
|
|
7+2 |
2+7 |
2+1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
23 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
15 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
18 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
12 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
4 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2+7 |
|
|
|
7+2 |
2+7 |
2+1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
12 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
4 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
23 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
15 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
18 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2+7 |
|
|
|
7+2 |
2+7 |
2+1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
12 |
3 |
|
|
|
|
|
|
|
|
|
|
|
1 |
|
4 |
4 |
|
|
|
|
|
|
|
|
|
|
|
1 |
|
23 |
5 |
|
|
|
|
|
|
|
|
|
|
|
1 |
|
15 |
6 |
|
|
|
|
|
|
|
|
|
|
|
1 |
|
18 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2+7 |
|
|
|
7+2 |
2+7 |
2+1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
WORLD
WORD THE L IN WORD
WORLD
- |
- |
- |
- |
- |
REAL REALITY |
- |
- |
|
R |
= |
9 |
- |
9 |
REAL |
36 |
18 |
|
R |
= |
9 |
- |
9 |
REALITY |
90 |
36 |
|
- |
- |
- |
- |
- |
REAL REALITY |
126 |
54 |
18 |
- |
- |
- |
- |
- |
- |
1+2+6 |
5+4 |
1+8 |
R |
= |
9 |
- |
9 |
REAL REALITY |
9 |
9 |
9 |
- |
REAL |
- |
- |
- |
1 |
R |
18 |
9 |
|
3 |
E+A+L |
18 |
9 |
|
4 |
REAL |
36 |
18 |
18 |
- |
- |
3+6 |
1+8 |
1+8 |
4 |
REAL |
9 |
9 |
9 |
- |
REALITY |
- |
- |
- |
1 |
R |
18 |
9 |
|
3 |
E+A+L |
18 |
9 |
|
1 |
I |
9 |
9 |
|
2 |
T+Y |
45 |
9 |
|
7 |
REALITY |
90 |
36 |
36 |
- |
- |
9+0 |
3+6 |
3+6 |
7 |
REALITY |
9 |
9 |
9 |
- |
REVEALED |
- |
- |
- |
1 |
R |
18 |
9 |
|
2 |
E+V |
27 |
9 |
|
3 |
E+A+L |
18 |
9 |
|
2 |
E+D |
9 |
9 |
|
8 |
REVEALED |
72 |
36 |
36 |
- |
- |
7+2 |
3+6 |
3+6 |
8 |
REVEALED |
9 |
9 |
9 |
4 |
REAL |
36 |
18 |
9 |
7 |
REALITY |
90 |
36 |
9 |
8 |
REVEALED |
72 |
36 |
9 |
19 |
First Total |
|
|
|
1+9 |
Add to Reduce |
1+9+8 |
9+0 |
2+7 |
10 |
Second Total |
|
|
|
1+0 |
Reduce to Deduce |
1+8 |
- |
- |
1 |
Essence of Number |
|
|
|
- |
- |
- |
- |
- |
|
|
|
|
|
= |
18 |
= |
9 |
R |
18 |
9 |
|
-- |
- |
- |
- |
- |
E+A+L |
18 |
9 |
|
|
= |
18 |
= |
9 |
R |
18 |
9 |
|
-- |
- |
- |
- |
- |
E+A+L |
18 |
9 |
|
-- |
- |
- |
- |
- |
I |
9 |
9 |
|
-- |
- |
- |
- |
- |
T+Y |
45 |
9 |
|
|
= |
18 |
= |
9 |
R |
18 |
9 |
|
-- |
- |
- |
- |
- |
E+V |
27 |
9 |
|
- |
- |
- |
- |
- |
E+A+L |
18 |
9 |
|
- |
- |
- |
- |
- |
E+D |
9 |
9 |
|
- |
- |
|
- |
|
|
|
|
|
- |
- |
5+4 |
- |
2+7 |
- |
- |
- |
- |
- |
- |
|
- |
|
REAL REALITY REVEALED |
- |
- |
- |
|
|
|
|
|
1 |
R |
18 |
9 |
|
3 |
E+A+L |
18 |
9 |
|
|
|
|
|
|
1 |
R |
18 |
9 |
|
3 |
E+A+L |
18 |
9 |
|
1 |
I |
9 |
9 |
|
2 |
T+Y |
45 |
9 |
|
|
|
|
|
|
1 |
R |
18 |
9 |
|
2 |
E+V |
27 |
9 |
|
3 |
E+A+L |
18 |
9 |
|
2 |
E+D |
9 |
9 |
|
|
First Total |
|
|
|
1+9 |
Add to Reduce |
1+9+8 |
9+0 |
3+6 |
|
Second Total |
|
|
|
1+0 |
Reduce to Deduce |
1+8 |
|
|
|
Essence of Number |
|
|
|
|
|
|
|
|
1 |
R |
18 |
9 |
9 |
2 |
E+V |
27 |
9 |
9 |
3 |
E+A+L |
18 |
9 |
9 |
|
|
|
|
|
|
|
6+3 |
2+7 |
2+7 |
|
|
|
|
|
|
|
|
|
|
1 |
R |
18 |
9 |
9 |
2 |
E+V |
27 |
9 |
9 |
3 |
E+A+L |
18 |
9 |
9 |
1 |
E |
5 |
5 |
5 |
1 |
R |
18 |
9 |
9 |
|
REVEALER |
|
|
|
|
|
8+6 |
4+1 |
4+1 |
|
REVEALER |
|
|
|
|
|
1+4 |
|
|
|
REVEALER |
|
|
|
10 |
|
|
|
|
- |
R |
18 |
9 |
9 |
- |
E+D |
9 |
9 |
9 |
- |
E+M |
18 |
9 |
9 |
- |
P+T |
36 |
9 |
9 |
- |
I |
9 |
9 |
9 |
- |
V+E |
27 |
9 |
9 |
10 |
REDEMPTIVE |
|
54 |
54 |
1+0 |
- |
1+1+7 |
5+4 |
5+4 |
1 |
REDEMPTIVE |
|
9 |
9 |
|
|
|
|
|
1 |
R |
18 |
9 |
|
2 |
E+D |
9 |
9 |
|
1 |
E |
5 |
5 |
|
2 |
E+M |
18 |
9 |
|
1 |
E |
5 |
5 |
|
1 |
R |
18 |
9 |
|
|
REDEEMER |
|
|
|
- |
|
7+3 |
5+5 |
4+6 |
|
REDEEMER |
|
|
|
- |
|
1+0 |
1+0 |
1+0 |
|
REDEEMER |
|
|
|
|
|
|
|
|
1 |
R |
18 |
9 |
|
1 |
E |
5 |
5 |
|
1 |
D |
4 |
4 |
|
1 |
E |
5 |
5 |
|
1 |
E |
5 |
5 |
|
1 |
M |
13 |
4 |
|
1 |
E |
5 |
5 |
|
1 |
R |
18 |
9 |
|
|
REDEEMER |
|
|
|
- |
|
7+3 |
4+6 |
4+6 |
|
REDEEMER |
|
|
|
- |
|
1+0 |
1+0 |
1+0 |
|
REDEEMER |
|
|
|
|
|
|
|
|
3 |
R+E+D |
27 |
18 |
|
1 |
E |
5 |
5 |
|
2 |
E+M |
18 |
9 |
|
1 |
E |
5 |
5 |
|
1 |
R |
18 |
9 |
|
|
REDEEMER |
|
|
|
- |
|
7+3 |
4+6 |
3+7 |
|
REDEEMER |
|
|
|
- |
|
1+0 |
1+0 |
1+0 |
|
REDEEMER |
|
|
|
REVEREND REVERED REVERE REVERIE RIVER
- |
- |
- |
- |
- |
REVEREND |
- |
- |
- |
R |
= |
9 |
- |
1 |
R |
18 |
9 |
9 |
E |
= |
5 |
- |
1 |
E |
5 |
5 |
5 |
V |
= |
4 |
- |
1 |
V |
22 |
4 |
4 |
E |
= |
5 |
- |
1 |
E |
5 |
5 |
5 |
R |
= |
9 |
|
1 |
R |
18 |
9 |
9 |
E |
= |
5 |
- |
1 |
E |
5 |
5 |
5 |
N |
= |
5 |
- |
1 |
N |
14 |
5 |
5 |
D |
= |
4 |
- |
1 |
D |
4 |
4 |
4 |
- |
- |
46 |
- |
8 |
REVEREND |
91 |
46 |
46 |
- |
- |
4+6 |
- |
- |
|
9+1 |
4+6 |
4+6 |
- |
- |
|
- |
8 |
REVEREND |
|
|
|
- |
- |
1+0 |
- |
- |
|
1+0 |
1+0 |
1+0 |
- |
- |
|
- |
8 |
REVEREND |
|
|
|
R |
= |
9 |
- |
- |
REVEREND |
- |
- |
- |
- |
- |
- |
- |
1 |
R |
18 |
9 |
9 |
- |
- |
- |
- |
1 |
E+V |
27 |
9 |
9 |
- |
- |
- |
- |
1 |
E |
5 |
5 |
5 |
- |
- |
- |
|
1 |
R |
18 |
9 |
9 |
- |
- |
- |
- |
1 |
E |
5 |
5 |
5 |
- |
- |
- |
- |
1 |
N+D |
18 |
9 |
9 |
R |
= |
9 |
- |
8 |
REVEREND |
91 |
46 |
46 |
- |
- |
- |
- |
- |
|
9+1 |
4+6 |
4+6 |
R |
= |
9 |
- |
8 |
REVEREND |
|
|
|
- |
- |
- |
- |
- |
|
1+0 |
1+0 |
1+0 |
R |
= |
9 |
- |
8 |
REVEREND |
|
|
|
CLERIC CIRCLE CLERIC
- |
- |
- |
- |
- |
REVERED |
- |
- |
- |
R |
= |
9 |
- |
1 |
R |
18 |
9 |
9 |
E |
= |
5 |
- |
1 |
E |
5 |
5 |
5 |
V |
= |
4 |
- |
1 |
V |
22 |
4 |
4 |
E |
= |
5 |
- |
1 |
E |
5 |
5 |
5 |
R |
= |
9 |
|
1 |
R |
18 |
9 |
9 |
E |
= |
5 |
- |
1 |
E |
5 |
5 |
5 |
D |
= |
4 |
- |
1 |
D |
4 |
4 |
4 |
- |
- |
46 |
- |
7 |
REVERED |
77 |
41 |
41 |
- |
- |
4+6 |
- |
- |
|
7+7 |
4+1 |
4+1 |
- |
- |
|
- |
7 |
REVERED |
|
|
|
- |
- |
1+0 |
- |
- |
|
1+4 |
- |
- |
- |
- |
|
- |
7 |
REVERED |
|
|
|
R |
= |
9 |
- |
- |
REVERED |
- |
- |
- |
- |
- |
- |
- |
1 |
R |
18 |
9 |
9 |
- |
- |
- |
- |
1 |
E+V |
27 |
9 |
9 |
- |
- |
- |
- |
1 |
E |
5 |
5 |
5 |
|
|
|
|
1 |
R |
18 |
9 |
9 |
- |
- |
- |
- |
1 |
E+D |
9 |
9 |
9 |
R |
= |
9 |
- |
7 |
REVERED |
77 |
41 |
41 |
- |
- |
- |
- |
- |
|
7+7 |
4+1 |
4+1 |
R |
= |
9 |
- |
7 |
REVERED |
|
|
|
- |
- |
- |
- |
- |
|
1+4 |
- |
- |
R |
= |
9 |
- |
7 |
REVERED |
|
|
|
- |
- |
- |
- |
- |
REVERE |
- |
- |
- |
R |
= |
9 |
- |
1 |
R |
18 |
9 |
9 |
E |
= |
5 |
- |
1 |
E |
5 |
5 |
5 |
V |
= |
4 |
- |
1 |
V |
22 |
4 |
4 |
E |
= |
5 |
- |
1 |
E |
5 |
5 |
5 |
R |
= |
9 |
|
1 |
R |
18 |
9 |
9 |
E |
= |
5 |
- |
1 |
E |
5 |
5 |
5 |
- |
- |
46 |
- |
6 |
REVERE |
73 |
37 |
37 |
- |
- |
4+6 |
- |
- |
|
7+3 |
3+7 |
3+7 |
- |
- |
|
- |
6 |
REVERE |
|
|
|
- |
- |
1+0 |
- |
- |
|
1+0 |
1+0 |
1+0 |
- |
- |
|
- |
6 |
REVERE |
|
|
|
R |
= |
9 |
- |
- |
RIVER |
- |
- |
- |
- |
- |
- |
- |
1 |
R |
18 |
9 |
9 |
- |
- |
- |
- |
1 |
I |
9 |
9 |
9 |
- |
- |
- |
- |
1 |
V |
22 |
4 |
4 |
- |
- |
- |
- |
1 |
E |
5 |
5 |
5 |
- |
- |
- |
|
1 |
R |
18 |
9 |
9 |
R |
= |
9 |
- |
5 |
RIVER |
72 |
36 |
36 |
- |
- |
- |
- |
- |
|
7+2 |
3+6 |
3+6 |
R |
= |
9 |
- |
5 |
|
|
|
|
R |
= |
9 |
- |
- |
RIVER |
- |
- |
- |
- |
- |
- |
- |
1 |
R |
18 |
9 |
9 |
- |
- |
- |
- |
1 |
I |
9 |
9 |
9 |
- |
- |
- |
- |
2 |
V+E |
27 |
9 |
9 |
- |
- |
- |
|
1 |
R |
18 |
9 |
9 |
R |
= |
9 |
- |
5 |
RIVER |
72 |
36 |
36 |
- |
- |
- |
- |
- |
|
7+2 |
3+6 |
3+6 |
R |
= |
9 |
- |
5 |
|
|
|
|
- |
FLOURISHED |
- |
- |
- |
2 |
F+L |
18 |
9 |
9 |
2 |
O+U |
36 |
9 |
9 |
1 |
R |
18 |
9 |
9 |
1 |
I |
9 |
9 |
9 |
2 |
S+H |
27 |
9 |
9 |
2 |
E+D |
9 |
9 |
9 |
10 |
FLOURISHED |
|
|
|
1+0 |
- |
1+1+7 |
5+4 |
5+4 |
1 |
FLOURISHED |
|
|
|
- |
NOURISHED |
- |
- |
- |
1 |
N |
14 |
5 |
5 |
2 |
O+U |
36 |
9 |
9 |
1 |
R |
18 |
9 |
9 |
1 |
I |
9 |
9 |
9 |
2 |
S+H |
27 |
9 |
9 |
2 |
E+D |
9 |
9 |
9 |
9 |
NOURISHED |
|
|
|
- |
- |
1+1+3 |
5+0 |
5+0 |
9 |
NOURISHED |
|
|
|
- |
- |
- |
- |
- |
9 |
NOURISHED |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
3 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
15 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
13 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
13 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
15 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
12 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
25 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4+1 |
|
1+1 |
|
1+4+0 |
4+1 |
4+1 |
|
|
|
|
|
|
1+2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
3 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
12 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
13 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
13 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
15 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
15 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
25 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4+1 |
|
1+1 |
|
1+4+0 |
4+1 |
4+1 |
|
|
|
|
|
|
1+2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
3 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
12 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
13 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
13 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
15 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
15 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
25 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4+1 |
|
1+1 |
|
1+4+0 |
4+1 |
4+1 |
|
|
|
|
|
|
1+2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
W |
= |
5 |
- |
5 |
WORKS |
86 |
23 |
5 |
W |
= |
5 |
- |
4 |
WELL |
52 |
16 |
7 |
W |
= |
5 |
- |
4 |
WHEN |
50 |
23 |
5 |
W |
= |
5 |
- |
7 |
WATCHED |
64 |
28 |
1 |
- |
- |
|
- |
|
First Total |
|
|
|
|
|
1+8 |
- |
2+0 |
Add to Reduce |
2+5+2 |
6+3 |
1+8 |
- |
- |
|
- |
|
Second Total |
|
|
|
|
|
- |
- |
- |
Reduce to Deduce |
- |
- |
- |
- |
- |
|
- |
|
Essence of Number |
|
|
|
WHO DOES WHO DOES WHO DOES
WHO
?
Daily Mail. Tuesday, August 15, 2017
Page 16
QUESTION Is the Fibonacci sequence (0, 1, 1,
2, 3, 5, 8,13 etc) found in nature?
IN THE year 1202, Leonardo of Pisa, whose nickname was Fibonacci, published a book on arithmetic called Liber Abaci. It was one of the first books to use Arabic numerals.
In it, he wanted to know how rapidly a rabbit population would increase starting from one immature pair, assuming that none of the rabbits died.
He assumed each pair of rabbits would take a month to reach maturity and that these would produce another breeding pair and so on, while the older pairs of rabbits would continue to breed.
So to begin with you have one (1) immature pain A month later they mature, but there is still only one pair (1). They then produce another pair so now there are two (2) pairs, one mature and one immature.
A month later the original mature pair produce another immature pair and the first immature pair matures, so now there are three pairs (3), two mature and one immature and so on.
The sequence that results from this is 1, 1, 2, 3, 5, 8, 13, 21, 34, 55, 89, 144, 233 etc, so you quickly end up with a startling number of rabbits.
The important thing is that each number in the sequence is the sum of the previous two numbers. This is why they tend to occur in nature because many organisms grow by adding to what was previously grown.
Examples are the number of petals on flowers and the number of spirals on fir cones, pineapples, sunflowers and vegetables such as cauliflowers.
It was more than 600 years before the sequence gained its name when a number theorist called Edouard Lucas was studying the book written by Fibonacci and decided to honour him by naming the sequence after him.
Denis Sharp, Hailsham, E. Sussex.
Daily Mail, Wednesday, June 28, 2017
QUESTION
The sentence 'amazingly few discotheques provide jukeboxes' contains all the alphabet's letters. Are there any shorter ones?
THIS is a pangram. Others include 'Pack my box with five dozen liquor jugs' and `Jackdaws love my big sphinx of quartz'.
A 'perfect' one uses each letter once. The Guinness Book of Records-called this example the world's most contrived sentence: 'Cwm fjord-bank glyphs vext quiz', meaning 'annoying question concerning letters carved into a glaciated hollow on the bank of a sea inlet'.
Pangrams can be found in many other languages, too.
John Ward, Bristol.
THE best-known pangram in English is `The quick brown fox jumps over the lazy dog' (35 letters). Dating back to 1888, it is famous for its coherency and often used for touch-typing practice. Robert Baden-Powell's book Scouting For Boys (1908) uses it as a practice for signalling.
The shortest in English without abbreviations are 'Nymphs blitz quick vex dwarf jog', 'Big fiords vex quick waltz nymph', and 'Bawds jog, flick quartz, vex nymph' (all 27 letters).
The question's pangram is shortest in terms of words. An equivalent is `Sympathizing would fix Quaker objectives' but contains a proper noun and an American spelling. Other good pangrams include: 'Fox nymphs grab quick jived waltz', 'My ex pub quiz crowd gave joyful thanks', 'Pack my box with five dozen liquor jugs', `Schwarzkopf vexed Iraq big-time in July', 'Waxy and quivering, jocks fumble the pizza' and 'Foxy diva Jennifer Lopez wasn't baking my quiche'.
Ian Dean, Birmingham.
Daily Mail, Monday, June 26, 2017
QUESTION A common
misconception is -that sushi mans 'raw flsh'.1n fact, it means 'sour rice'. What other words are commonly mistranslated?
THERE are a number of 'false friends' in French, words that sound similar to English counterparts, but have different eanings and are often mistranslated.
Assister does not mean 'assist' but to `attend an event' e.g. 'Joanna assiste au concert' —Joanne attends the concert.'
Deception doesn't mean 'deception' but `disappointment' e.g. `une immense deception' — 'a huge disappointment.'
In English, sympathetic is an adjective based on the noun sympathy. In French sympathique means nice or friendly.
Demander means 'ask for', exiger means to demand; habit means outfit, habitude means habit; place means seat, endroit means place; resumer means to summarise, reprendre is to resume; trouble means indistinct or murky, probleme or difficulte means trouble.
Watch out for excite — this usually means excited in a sexual sense! Go with anime e.g. 'Jeanne est toute animee a cause de la parrure' — 'Jeanne is very excited about the necklace'.
Mary Wilson, London SW7.
ANCIENT religious texts are a source for many translation errors. One famous example is the belief that the forbidden fruit in the Garden of Eden was an apple. This originates from a mistranslation of the Latin word malum, meaning both `apple' and 'evil'.
Ian Peel, Bray, Berks.
PARADISE THE GARDEN OF EDEN
PARADE EYES IN THE GARDEN OF NEED
ATUM RA AR MUTA, ATUM RA, ATUM |
A |
T |
U |
M |
- |
R |
A |
- |
A |
R |
- |
M |
U |
T |
A |
1 |
20 |
21 |
13 |
- |
18 |
1 |
- |
1 |
18 |
- |
13 |
21 |
20 |
1 |
1 |
2 |
3 |
4 |
- |
9 |
1 |
- |
1 |
9 |
- |
4 |
3 |
2 |
1 |
A |
T |
U |
M |
- |
R |
A |
- |
A |
R |
- |
M |
U |
T |
A |
1 |
- |
- |
- |
- |
- |
1 |
- |
1 |
- |
- |
- |
- |
- |
1 |
- |
2 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
2 |
- |
- |
- |
3 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
3 |
- |
- |
- |
- |
- |
4 |
- |
- |
- |
- |
- |
- |
- |
4 |
- |
- |
- |
- |
- |
- |
- |
- |
9 |
- |
- |
- |
9 |
- |
- |
- |
- |
- |
A |
T |
U |
M |
- |
R |
A |
- |
A |
R |
- |
M |
U |
T |
A |
- |
- |
- |
- |
9 |
- |
- |
- |
9 |
- |
- |
- |
- |
- |
- |
- |
4 |
- |
- |
- |
- |
- |
4 |
- |
- |
- |
- |
- |
3 |
- |
- |
- |
- |
- |
- |
- |
3 |
- |
- |
- |
2 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
2 |
- |
1 |
- |
- |
- |
- |
1 |
- |
1 |
- |
- |
- |
- |
1 |
A |
T |
U |
M |
R |
A |
- |
A |
R |
M |
U |
T |
A |
1 |
20 |
21 |
13 |
18 |
1 |
- |
1 |
18 |
13 |
21 |
20 |
1 |
1 |
2 |
3 |
4 |
9 |
1 |
- |
1 |
9 |
4 |
3 |
2 |
1 |
A |
T |
U |
M |
R |
A |
- |
A |
R |
M |
U |
T |
A |
1 |
2 |
3 |
4 |
9 |
1 |
- |
1 |
9 |
4 |
3 |
2 |
1 |
A |
T |
U |
M |
R |
A |
- |
A |
R |
M |
U |
T |
A |
- |
- |
- |
4 |
- |
4 |
- |
- |
- |
- |
- |
3 |
- |
- |
- |
3 |
- |
- |
- |
2 |
- |
- |
- |
- |
- |
2 |
- |
1 |
- |
- |
- |
- |
- |
- |
- |
1 |
A |
T |
U |
M |
- |
M |
U |
T |
A |
1 |
20 |
21 |
13 |
- |
13 |
21 |
20 |
1 |
1 |
2 |
3 |
4 |
- |
4 |
3 |
2 |
1 |
A |
T |
U |
M |
- |
M |
U |
T |
A |
1 |
2 |
3 |
4 |
- |
4 |
3 |
2 |
1 |
A |
T |
U |
M |
- |
M |
U |
T |
A |
- |
- |
- |
4 |
4 |
- |
- |
- |
- |
- |
3 |
- |
- |
3 |
- |
- |
- |
2 |
- |
- |
- |
- |
2 |
- |
1 |
- |
- |
- |
- |
- |
- |
1 |
A |
T |
U |
M |
M |
U |
T |
A |
1 |
20 |
21 |
13 |
13 |
21 |
20 |
1 |
1 |
2 |
3 |
4 |
4 |
3 |
2 |
1 |
A |
T |
U |
M |
M |
U |
T |
A |
1 |
2 |
3 |
4 |
4 |
3 |
2 |
1 |
A |
T |
U |
M |
M |
U |
T |
A |
|
A |
T |
U |
M |
- |
R |
A |
|
|
|
|
|
|
|
- |
|
1 |
20 |
21 |
13 |
- |
18 |
1 |
|
|
|
|
= |
|
|
|
|
1 |
2 |
3 |
4 |
- |
9 |
1 |
|
|
|
|
= |
|
|
|
|
A |
T |
U |
M |
- |
R |
A |
|
|
|
|
|
|
|
- |
- |
1 |
- |
- |
- |
- |
- |
1 |
|
|
|
occurs |
x |
|
= |
2 |
- |
- |
2 |
- |
- |
- |
- |
- |
|
|
|
occurs |
x |
|
= |
2 |
- |
- |
- |
3 |
- |
- |
- |
- |
|
|
|
occurs |
x |
|
= |
3 |
- |
- |
- |
- |
4 |
- |
- |
- |
|
|
|
occurs |
x |
|
= |
4 |
- |
- |
- |
- |
- |
- |
9 |
- |
|
|
|
occurs |
x |
|
= |
9 |
|
A |
T |
U |
M |
- |
R |
A |
|
|
19 |
|
|
|
|
|
|
- |
- |
|
- |
- |
|
- |
|
|
10 |
- |
- |
- |
Q |
2+0 |
|
A |
T |
U |
M |
- |
R |
A |
|
|
1 |
|
|
|
|
|
- |
HEAVEN EARTH HELL |
- |
- |
Q |
4 |
HELL |
37 |
19 |
1 |
5 |
|
52 |
25 |
7 |
6 |
|
55 |
28 |
1 |
15 |
|
|
|
|
|
|
1+4+4 |
7+2 |
- |
6 |
Reduce to Deduce |
9 |
9 |
9 |
15 |
H |
E |
L |
L |
- |
E |
A |
R |
T |
H |
- |
H |
E |
A |
V |
E |
N |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
8 |
- |
- |
- |
- |
- |
- |
- |
- |
8 |
- |
8 |
- |
- |
- |
- |
5 |
+ |
= |
29 |
2+9 |
= |
11 |
1+1 |
= |
2 |
- |
8 |
- |
- |
- |
- |
- |
- |
-- |
- |
8 |
- |
8 |
- |
- |
- |
- |
14 |
+ |
= |
38 |
3+8 |
= |
11 |
1+1 |
= |
2 |
|
|
|
|
|
- |
|
|
|
|
|
- |
|
|
|
V |
|
|
|
|
|
|
|
|
|
- |
- |
|
8 |
5 |
12 |
12 |
- |
5 |
1 |
18 |
20 |
8 |
- |
8 |
5 |
1 |
22 |
5 |
14 |
|
|
|
|
|
9 |
|
|
9 |
|
6 |
1 |
9 |
9 |
- |
9 |
1 |
9 |
9 |
1 |
- |
8 |
6 |
9 |
3 |
1 |
1 |
|
|
|
|
|
|
|
|
|
15 |
H |
E |
L |
L |
- |
E |
A |
R |
T |
H |
- |
H |
E |
A |
V |
E |
N |
- |
- |
- |
- |
- |
- |
- |
- |
- |
|
|
|
|
|
|
H+E+A |
14 |
14 |
|
|
V+E |
27 |
9 |
|
|
N+E+A |
20 |
11 |
|
|
R |
18 |
9 |
|
|
T+H+H |
36 |
18 |
|
|
E+L+L |
29 |
11 |
|
|
|
|
|
|
|
|
|
|
|
|
E+A |
6 |
6 |
|
|
R |
18 |
9 |
|
|
T+H+H |
36 |
18 |
|
|
E+A |
6 |
6 |
|
|
V+E |
27 |
9 |
|
|
N+H+E |
27 |
18 |
|
|
L+L |
24 |
6 |
|
|
|
|
|
|
6 |
HEAVEN |
55 |
28 |
1 |
3 |
|
52 |
25 |
7 |
4 |
|
37 |
19 |
1 |
9 |
|
|
|
|
|
|
1+4+4 |
7+2 |
- |
9 |
|
9 |
9 |
9 |
5 |
DEVIL |
52 |
25 |
7 |
3 |
|
26 |
17 |
8 |
8 |
|
|
|
|
|
|
7+8 |
4+2 |
1+5 |
8 |
|
15 |
6 |
6 |
- |
- |
|
- |
- |
8 |
|
|
|
|
3 |
GOD |
26 |
17 |
8 |
5 |
|
55 |
10 |
1 |
8 |
|
|
|
|
|
|
8+1 |
2+7 |
- |
8 |
|
9 |
9 |
9 |
6 |
HEAVEN |
55 |
28 |
1 |
3 |
|
26 |
17 |
8 |
9 |
|
|
|
|
|
|
8+1 |
4+5 |
- |
9 |
|
9 |
9 |
9 |
3 |
GOD |
26 |
17 |
8 |
4 |
|
37 |
19 |
1 |
7 |
|
|
|
|
|
|
6+3 |
3+6 |
- |
7 |
|
9 |
9 |
9 |
5 |
DEVIL |
52 |
25 |
7 |
6 |
|
55 |
28 |
1 |
11 |
|
|
|
|
|
|
1+0+7 |
5+3 |
- |
2 |
|
8 |
8 |
8 |
5 |
DEVIL |
52 |
25 |
7 |
4 |
|
37 |
19 |
1 |
9 |
|
|
|
|
|
|
8+9 |
4+4 |
- |
9 |
|
17 |
8 |
8 |
- |
- |
|
- |
- |
9 |
|
|
|
|
5 |
DEVIL |
52 |
25 |
7 |
5 |
|
52 |
25 |
7 |
16 |
EXTRATERRESTRIAL |
- |
- |
- |
- |
E+X+T |
49 |
13 |
4 |
- |
R |
18 |
9 |
9 |
- |
A+T+E |
26 |
8 |
8 |
- |
R |
18 |
9 |
9 |
- |
R |
18 |
9 |
9 |
- |
E+S+T |
44 |
8 |
8 |
- |
R |
18 |
9 |
9 |
- |
I |
9 |
9 |
9 |
- |
A+L |
13 |
4 |
4 |
16 |
EXTRATERRESTRIAL |
213 |
78 |
69 |
1+6 |
- |
2+1+3 |
7+8 |
6+9 |
7 |
|
6 |
15 |
15 |
- |
- |
- |
1+5 |
1+5 |
7 |
|
6 |
6 |
6 |
- |
THE UNKNOWN GOD |
- |
- |
- |
3 |
|
33 |
15 |
|
7 |
|
112 |
31 |
|
3 |
|
26 |
17 |
|
|
THE UNKNOWN GOD |
|
|
|
|
- |
1+7+1 |
6+3 |
|
|
THE UNKNOWN GOD |
|
|
|
THE STAIRWAY TO HEAVEN
BOOK
II
THE EARTH CHRONICLES
Zecharia Sitchin 1980
Page 275
"solar disk"
".........represented by the symbol for the Solar Disk........."
- |
- |
- |
- |
- |
SOLAR DISK |
- |
- |
- |
S |
= |
1 |
- |
5 |
SOLAR |
65 |
20 |
2 |
D |
= |
4 |
- |
4 |
DISK |
43 |
16 |
7 |
- |
- |
|
|
|
|
|
|
|
- |
- |
- |
- |
|
- |
1+0+8 |
3+6 |
|
Q |
- |
5 |
- |
|
SOLAR DISK |
|
9 |
|
D |
= |
4 |
- |
- |
DESCENDANTS |
- |
- |
- |
- |
- |
- |
- |
2 |
D+E |
9 |
9 |
9 |
- |
- |
- |
- |
3 |
S+C+E |
27 |
9 |
9 |
- |
- |
- |
- |
2 |
N+D |
9 |
9 |
9 |
- |
- |
- |
- |
4 |
A+N+T+S |
54 |
9 |
9 |
D |
= |
4 |
|
|
|
|
|
|
- |
- |
- |
- |
1+1 |
- |
1+0+8 |
3+6 |
3+6 |
D |
= |
4 |
- |
|
DESCENDANTS |
|
9 |
9 |
FINGERPRINTS OF THE GODS
G Hancock1995
Page 287
"What one would look for, therefore, would be a universal language"
"WHAT ONE WOULD LOOK FOR, THEREFORE, WOULD BE A UNIVERSAL LANGUAGE"
LIGHT AND LIFE
Lars Olof Bjorn
1976
"BY WRITING THE 26 LETTERS OF THE ALPHABET IN A CERTAIN ORDER
ONE MAY PUT DOWN ALMOST ANY MESSAGE"
(THIS BOOK IS WRITTEN WITH THE SAME LETTERS AS THE ENCYCLOPAEDIA BRITANNICA AND WINNIE THE POOH, ONLY THE ORDER OF THE LETTERS DIFFERS).
IN THE SAME WAY NATURE IS ABLE TO CONVEY WITH HER LANGUAGE HOW A CELL AND A WHOLE ORGANISM IS TO BE CONSTRUCTED AND HOW IT IS TO FUNCTION. NATURE HAS SUCCEEDED BETTER THAN WE HUMANS; FOR THE GENETIC CODE THERE IS ONLY ONE UNIVERSAL LANGUAGE WHICH IS THE SAME IN A MAN, A BEAN PLANT AND A BACTERIUM.
THE DNA MESSAGE IN A HUMAN CELL COMPRISES ABOUT
1 000 000 000 'LETTERS'."
AND DNA AND DNA AND DNA AND DNA AND DNA AND DNA AND DNA AND DNA AND DNA
"BY WRITING THE 26 LETTERS OF THE ALPHABET IN A CERTAIN ORDER
ONE MAY PUT DOWN ALMOST ANY MESSAGE"
Daily Mail 13, July 2017
Page 64
ANSWERS TO CORRESPONDENTS
Compiled by Charles Legge
QUESTION Scientists claim that all the computer data produced last year could be stored on 4g of DNA. What do they mean by this?
DNA (deoxyribonucleic acid) consists of sequences of the nucleobases adenine, guanine, cytosine and thymine (abbreviated to A, G, C and T).
DNA represents a storage mechanism for a 'programme' which allows it to replicate itself so that life can exist. DNA can potentially retain its programme for hundreds or even thousands of years.
In the laboratory, DNA sequencers can read the DNA programme from samples taken from living and dead organisms. There are companies who write a specific programme into synthetic DNA if supplied with the required sequence, which can later be read back.
You can immediately see how this could be used to store specific non-biological information if a sequence were written to synthetic DNA for that purpose.
The trick to being able to store usable computer data is not so much to do with synthesising the DNA, but in encoding the data to be used in the sequence in the first place so it can be later recovered. Without going into the absolute detail,
researchers have been using synthesised DNA where the bases T and G represent binary '1', and A and C represent binary '0'.
It's a lot more involved, as the data in each DNA strand consists of an address ) block followed by the actual data, and the sequence which is subsequently read back has to be reassembled using these t address blocks. It is a similar approach
to what is used within the computer industry, though more advanced.
It should be borne in mind that this i DNA has nothing to do with life or genetics. Its purpose is totally non-biological.
The storage capacity of DNA has been going up as experiments continue. In 2012, Harvard scientists managed to get 700 terabytes (TB) of data into lg of DNA. This year, over 200 petabytes (PB) has been crammed into a single gram.
To put this in perspective, a typical DVD can hold up to 4.7 gigabytes (GB) of data. A terabyte (TB) is 1,000 times bigger than a GB, and could hold the
equivalent data of around 210 DVDs.
A petabyte (PB) is 1,000 times bigger than a TB, so scientists have managed to pack the equivalent of around 42 million DVDs into that gram of DNA. Going up the ladder, an exabyte (EB) is 1,000 times bigger than a PB, and a zettabyte (ZB) is 1,000 times bigger again.
Some scientists have suggested that a single gram of DNA can potentially hold up to 455 EB of data (96 billion DVDs),
though others have estimated a lower figure of 270 PB.
As of 2011, total world data was estimated at just under 2 ZB (380 billion DVDs), meaning all of it could be stored. on 4g of DNA (a teaspoon) if this upper storage limit could be realised.
Even with the recent results, all human knowledge would easily fit in a bucket or n two! Or a swimming pool—as of 2017 the entire content of the worldwide web is estimated at 1 yottabyte (YB), where a YB is 1,000 times larger than a ZB.
Searching and indexing that amount of data would still be problematic. The numbers involved are hard to imagine, but 1 YB of data would take trillions of years to download on even the fastest broadband connection, so searching through it would take a lot of time.
It is amazing science, and Microsoft is said to be working on the technique.
Martin Sisson, Nbttingham.
THE GROWTH OF SCIENCE
A.P.Rossiter 1939
Page 15
"The Egyptians,…" "…made good observations on the stars and were able to say when the sun or moon would become dark in an eclipse (a most surprising event even in our times), and when the land would be covered by the waters of the Nile: they were expert at building and made some discoveries about the relations of lines and angles - among them one very old rule for getting a right-angle by stretching out knotted cords with 5, 4 And 3 units between the knots."
"...among them one very old rule for getting a right-angle by stretching out knotted cords with
5, 4 And 3 units between the knots."
CIVILIZATION, SCIENCE AND RELIGION
A. D. RITCHIE 1945
THE ART OF THINKING
Page 39
"The Egyptians could set out a right-angle on the ground,
for building or for land surveying,
by means of a cord knotted at intervals of
3, 4 and 5 units of length."
3 |
|
5 |
THREE |
56 |
29 |
2 |
4 |
|
4 |
FOUR |
60 |
24 |
6 |
5 |
|
4 |
FIVE |
42 |
24 |
6 |
|
|
13 |
First Total |
|
|
|
1+2 |
|
1+3 |
Add to Reduce |
1+5+8 |
7+7 |
1+4 |
|
|
4 |
Second Total |
|
|
|
|
|
|
Reduce to Deduce |
1+4 |
1+4 |
|
|
|
|
Essence of Number |
|
|
|
3 |
- |
T |
= |
2 |
|
5 |
THREE |
56 |
29 |
2 |
4 |
- |
F |
= |
6 |
|
4 |
FOUR |
60 |
24 |
6 |
5 |
- |
F |
= |
6 |
|
4 |
FIVE |
42 |
24 |
6 |
|
- |
- |
- |
14 |
|
13 |
First Total |
|
|
|
1+2 |
- |
- |
- |
1+4 |
|
1+3 |
Add to Reduce |
1+5+8 |
7+7 |
1+4 |
|
- |
- |
- |
5 |
|
4 |
Second Total |
|
|
|
- |
- |
- |
- |
|
|
|
Reduce to Deduce |
1+4 |
1+4 |
|
|
- |
- |
- |
|
|
|
Essence of Number |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
16 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
25 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
8 |
8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
7 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
15 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
18 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
PYTHAGORAS |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4+9 |
|
1+0 |
|
1+3+0 |
5+8 |
4+9 |
|
|
|
|
|
|
|
2+1 |
|
|
|
|
|
|
|
PYTHAGORAS |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+3 |
|
|
|
|
1+3 |
1+3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
PYTHAGORAS |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
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1 |
|
1 |
1 |
|
|
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1 |
|
1 |
1 |
|
|
|
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|
1 |
|
19 |
10 |
|
|
|
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|
|
|
|
1 |
|
20 |
2 |
|
|
|
|
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|
|
|
|
|
|
|
|
|
1 |
|
15 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
16 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
25 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
7 |
7 |
|
|
|
|
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|
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1 |
|
8 |
8 |
|
|
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1 |
|
18 |
9 |
|
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|
PYTHAGORAS |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4+9 |
|
1+0 |
|
1+3+0 |
5+8 |
4+9 |
|
|
|
|
|
|
|
2+1 |
|
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|
|
|
|
PYTHAGORAS |
|
|
|
|
|
|
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|
|
|
|
|
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|
1+3 |
|
|
|
|
1+3 |
1+3 |
|
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PYTHAGORAS |
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1 |
|
1 |
1 |
|
|
|
|
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|
|
|
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|
|
1 |
|
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
19 |
10 |
|
|
|
|
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|
|
|
|
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
15 |
6 |
|
|
|
|
|
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|
|
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|
|
|
1 |
|
16 |
7 |
|
|
|
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|
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|
1 |
|
25 |
7 |
|
|
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|
|
|
1 |
|
7 |
7 |
|
|
|
|
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|
|
|
|
|
|
1 |
|
8 |
8 |
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
18 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
PYTHAGORAS |
|
|
|
|
|
|
|
|
|
|
|
|
4+9 |
|
1+0 |
|
1+3+0 |
5+8 |
4+9 |
|
|
|
|
2+1 |
|
|
|
|
|
|
|
PYTHAGORAS |
|
|
|
|
|
|
|
|
|
|
|
|
1+3 |
|
|
|
|
1+3 |
1+3 |
|
|
|
|
|
|
|
|
|
|
|
|
PYTHAGORAS |
|
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|
MAGICIANS OF THE GODS
Graham Hancock 2016
Page 353
Astronomy and earth measuring
Archaeoastronomer James Q. Jacobs has noticed something rather odd about Harran. The city's latitude, 36.87 degrees north of the equator, appears to be non-random, since the figure is the same as that' for the acute angle of a 3:4:5 right triangle82 - i.e. a triangle which contains one 90 degree right angle and whose side lengths are in the ratio 3:4:5. In all such triangles - which form the basis for trigonometry and are thus fundamental to astronomy and geodesy - the other two angles are, with rounding, 53.13 degrees and 36.87 degrees.
Is it a coincidence that a 3:4:5 right triangle with the same internal angles exists inside the King's Chamber of the Great Pyramid of Egypt? The floor of this austere and uninscribed red granite room, in which no pharaoh was ever found entombed, forms a 2:1 rectangle, exactly 20 Egyptian royal cubits in length and 10 royal cubits in width (10.46 x 5.23 metres). The right triangle is formed with its shortest dimension (15 cubits) represented by the diagonal across the west wall from the lower south-west corner to the upper north-west corner; its median dimension (2o cubits) is drawn along the entire length of the floor on the south side of the chamber; its long dimension (25 cubits) is drawn from the upper north-west corner of the chamber to the lower southeast corner.83
These side lengths of 15 cubits, 20 cubits and 25 cubits can be expressed as the ratio 3:4:5 because if we allocate the value '3' to the length of 15 cubits then 20 cubits must naturally have a value of '4' and 25 cubits must have a value of '5: All right-angled triangles with side lengths in this special 3:4:5 ratio are called 'Pythagorean' - after Pythagoras, the Greek philosopher and mathematician of the sixth century BC, who was supposedly the first to discover that they share a unique characteristic. This is that the square of the short side (3 units x 3 units = 9 units), added to the square of the median side (4 units x 4 units = 16 units), together result in a figure equal to the square of the long side (5 units x 5 units = 25 units, i.e. the sum of 9 plus 16).84 The real 'secret magic' of the triangle, however, as the Icelandic mathematician Einar Palsson has pointed out, is only revealed when the numbers are cubed.85 Then we get: (image omitted)
Page 354
King's Chamber N 15:20:25 c 14:5
Figure 58: The 3:4:5 right triangle hidden within the King's Chamber of the Great Pyramid.
3 x 3 x 3 = 27 4x 4 4 = 64 5 x 5 x 5 = 125
Page 354 / The total of 27 plus 64 plus 125 is 216, and as the reader will recall from earlier chapters, 216 is one of the sequence of numbers identified by historians of science Giorgio de Santillana and Hertha von Dechend as being derived from precise observations of the precession of the equinoxes, those long-term changes in the sky that unfold at the rate of one degree every 72 years. Numbers derived from this precessional sequence turn out to be encoded in ancient myths and monuments all around the world, tracing their origins back to what Santillana and von Dechend can only conclude was some 'almost unbelievable' ancestor civilization of prehistoric antiquity that 'first dared to understand the world as created according to number, measure and weight'.86
The heartbeat of the cycle, as we've seen, is 72 - the number of years required for the unfolding of one degree of precessional change. In observational terms a one degree shift over 72 years - effectively an entire human lifetime - is barely perceptible, being roughly equivalent to the width of a forefinger held up towards the horizon. A 3o degree shift - through one entire zodiacal constellation, requiring 30 x 72 = 2,160 years to complete - is impossible to miss, but its progression could only be precisely recorded and noted by many generations of conscientious and accurate observers. A 60 degree shift,
20
10
Cubits
Cubits
20 Cubits
Page 355
i.e. through two zodiacal constellations, takes 4,320 years (2,160 x 2 = 4,320), which is why a 360 degree shift (all 12 zodiacal constellations - 'the Great Year') requires a grand total of 25,920 years.
Within the 'precessional code' as Santillana and von Dechend showed conclusively, it is permissible to divide and multiply the `heartbeat number' of 72 (the number of years required for one degree of precessional change). This is done in myths and monuments all around the world (for example at Angkor, in Cambodia, as we saw in Chapter Twelve, and at Borobudur, in Indonesia, as we will see in Chapter Eighteen). Thus 216 is 3 x 72 (or 2,160 divided by 10). Its derivation from the 3:4:5 triangle inside the King's Chamber of the Great Pyramid is therefore most unlikely to be an accident and the relationship of all this to astronomy and geodesy - earth-measuring - is clear. This is further confirmed by the external dimensions of the Great Pyramid which, as It showed in Fingerprints of the Gods, encode the dimensions of our planet on the precessional scale of 1:43,200.87
Essentially, if you measure the height of the Great Pyramid and multiply it by 43,200 you get the polar radius of the earth and if you measure the base perimeter of the Great Pyramid and multiply by 43,200 you get the equatorial circumference of the earth. The fact that 43,200 is one of the sequence of precessional numbers identified by Santillana and von Dechend further reduces the likelihood of coincidence, and requires us to take seriously the proposition that we are indeed looking at part of the intellectual legacy of some 'almost unbelievable' ancestor civilization that had measured the earth and observed the changes in the stars with scientific accuracy, long before what we understand as 'history' began.
So, to return to Harran, James Q. Jacobs' discovery certainly suggests that the founders of this city made a deliberate geodetic choice when they set it at latitude 36.87 degrees north. What adds to this impression is that Jacobs has also found a geodetic relationship between Harran and the fabled Mesopotamian city of Ur with which it was known to have enjoyed a close relationship in antiquity:88
RU WHO U SAY UR
- |
- |
- |
- |
- |
PYRAMIDS |
- |
- |
- |
- |
- |
- |
- |
1 |
P+Y |
41 |
14 |
5 |
|
- |
|
|
1 |
R |
18 |
9 |
9 |
- |
- |
- |
- |
1 |
A+M |
14 |
5 |
5 |
|
- |
|
|
1 |
I |
9 |
9 |
9 |
- |
|
- |
- |
1 |
D+S |
23 |
5 |
5 |
P |
= |
|
|
7 |
PYRAMIDS |
105 |
42 |
33 |
- |
- |
- |
- |
- |
- |
1+0+5 |
4+2 |
3+3 |
P |
= |
|
|
7 |
PYRAMIDS |
6 |
6 |
6 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
P |
= |
|
|
7 |
PYRAMIDS |
6 |
6 |
6 |
P |
= |
|
|
7 |
PYRAMID |
86 |
41 |
5 |
P |
= |
|
|
7 |
PHARAOH |
67 |
40 |
4 |
- |
- |
14 |
|
14 |
Add to Reduce |
153 |
81 |
9 |
- |
- |
1+4 |
- |
1+4 |
Reduce to Deduce |
1+5+3 |
8+1 |
- |
- |
- |
5 |
|
5 |
Essence of Number |
9 |
9 |
9 |
THE MIND OF MIN
FINGERPRINTS
OF
THE
GODS
Graham Hancock
1995
Page 411(number omitted)
GODS OF THE FIRST TIME
"According to Heliopolitan theology, the nine original gods who appeared in Egypt in the First Time were Ra, Shu, Tefnut, Geb, Nut, Osiris, Isis, Nepthys and Set. The offspring of these deities included well-known figures such as Horus and Anubis. In addition, other companies of gods were recognized, notably at Memphis and Hermopolis, where there were important and very ancient cults dedicated to Ptah and to Thoth.1 These First Time deities were all in one sense or another gods of creation who had given shape to chaos through their divine will. Out of that chaos they formed and populated the sacred land of Egypt,2 wherein, for many thousands of years, they ruled among men as divine pharaohs.3
|
THE |
33 |
15 |
|
|
GREAT |
51 |
24 |
|
|
PYRAMID |
86 |
41 |
|
2 |
OF |
21 |
12 |
3 |
4 |
GIZA |
43 |
25 |
7 |
21 |
Add to Reduce |
234 |
117 |
27 |
2+1 |
Reduce to Deduce |
2+3+4 |
1+1+7 |
2+7 |
3 |
Essence of Number |
9 |
9 |
9 |
THE NEW VIEW OVER ATLANTIS
John Michell 1983
Page 150
"A series of clues to the composition of the final pyramidion at the very apex of the Pyramid begins with an observation in A.E. Berriman's Historical Metrology on the antiquity of the British or Imperial inch. There are a number of old Egyptian weights in the British Museum, and others from Greece and Babylon, whose standard of reference has proved to be the cubic inch of gold. Were it not for the common but inappropriate use of metric units in publishing details of antique weights, that feature would be more generally recognized. Five is the number chiefly associated with the pyramid form; which has five faces and five corners,
PYRAMID = 86 = PYRAMID
PYRAMID = 41 = PYRAMID
PYRAMID = 5 = PYRAMID
Five is the number chiefly associated with the pyramid form; which has five faces and five corners,
- |
- |
- |
- |
- |
PYRAMID |
- |
- |
- |
- |
- |
- |
- |
1 |
P+Y |
41 |
14 |
5 |
- |
- |
- |
- |
1 |
R |
18 |
9 |
9 |
|
- |
|
|
1 |
A+M |
14 |
5 |
5 |
- |
- |
- |
- |
1 |
I |
9 |
9 |
9 |
- |
- |
- |
- |
1 |
D |
D |
4 |
4 |
P |
= |
|
|
7 |
PYRAMID |
86 |
41 |
32 |
- |
- |
- |
- |
- |
- |
8+6 |
4+1 |
3+2 |
P |
= |
|
|
7 |
PYRAMID |
14 |
5 |
5 |
- |
- |
- |
- |
- |
- |
1+4 |
- |
- |
P |
= |
|
|
7 |
PYRAMID |
5 |
5 |
5 |
- |
- |
- |
- |
- |
PYRAMID |
- |
- |
- |
- |
- |
- |
- |
1 |
P |
16 |
7 |
7 |
- |
- |
- |
- |
1 |
Y |
25 |
7 |
7 |
|
- |
|
|
1 |
R |
18 |
9 |
9 |
- |
- |
- |
- |
1 |
A |
1 |
1 |
1 |
- |
- |
- |
- |
1 |
M |
13 |
4 |
4 |
|
- |
|
|
1 |
I |
9 |
9 |
9 |
- |
|
- |
- |
1 |
D |
4 |
4 |
4 |
P |
= |
|
|
7 |
PYRAMID |
86 |
41 |
41 |
- |
- |
- |
- |
- |
- |
8+6 |
4+1 |
4+1 |
P |
= |
|
|
7 |
PYRAMID |
14 |
5 |
5 |
- |
- |
- |
- |
- |
- |
1+4 |
- |
- |
P |
= |
|
|
7 |
PYRAMID |
5 |
5 |
5 |
|
|
|
|
9 |
AMENOPHIS |
- |
- |
- |
|
|
|
|
|
A |
1 |
1 |
|
|
|
|
|
|
M |
13 |
4 |
|
|
|
|
|
|
E |
5 |
5 |
|
|
|
|
|
|
N |
14 |
5 |
|
|
|
|
|
|
O |
15 |
6 |
|
|
|
|
|
|
P |
16 |
7 |
|
|
|
|
|
|
H |
8 |
8 |
|
|
|
|
|
|
I |
9 |
9 |
|
|
|
|
|
|
S |
19 |
10 |
|
|
|
|
|
9 |
AMENOPHIS |
100 |
55 |
46 |
|
|
|
|
- |
- |
1+0+0 |
5+5 |
4+6 |
|
|
|
|
9 |
AMENOPHIS |
1 |
10 |
10 |
|
|
|
|
- |
- |
- |
1+0 |
1+0 |
|
|
|
|
9 |
AMENOPHIS |
1 |
1 |
1 |
|
|
|
|
9 |
AMENOPHIS |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
A |
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
M |
13 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
E |
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
N |
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
O |
15 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
P |
16 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
H |
8 |
8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
I |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
S |
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
46 |
|
|
AMENOPHIS |
100 |
55 |
46 |
|
|
|
|
|
|
|
|
|
|
|
|
4+6 |
|
|
|
1+0+0 |
5+5 |
4+6 |
|
|
|
|
|
1+0 |
|
|
|
|
|
|
10 |
|
|
AMENOPHIS |
1 |
10 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
1+0 |
|
|
|
- |
1+0 |
1+0 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
AMENOPHIS |
1 |
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
9 |
AMENOPHIS |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
A |
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
S |
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
M |
13 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
E |
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
N |
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
O |
15 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
P |
16 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
H |
8 |
8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
I |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
46 |
|
|
AMENOPHIS |
100 |
55 |
46 |
|
|
|
|
|
|
|
|
|
|
|
|
4+6 |
|
|
|
1+0+0 |
5+5 |
4+6 |
|
|
|
|
|
1+0 |
|
|
|
|
|
|
10 |
|
|
AMENOPHIS |
1 |
10 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
1+0 |
|
|
|
- |
1+0 |
1+0 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
AMENOPHIS |
1 |
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
9 |
AMENOPHIS |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
A |
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
S |
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
M |
13 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
E |
5 |
5 |
|
|
|
|
|
|
|
|
|
|
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|
1 |
N |
14 |
5 |
|
|
|
|
|
|
|
|
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|
1 |
O |
15 |
6 |
|
|
|
|
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|
|
|
|
|
|
|
|
1 |
P |
16 |
7 |
|
|
|
|
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|
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|
|
|
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|
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1 |
H |
8 |
8 |
|
|
|
|
|
|
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|
|
|
|
1 |
I |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
46 |
|
|
AMENOPHIS |
100 |
55 |
46 |
|
|
|
|
|
|
|
|
|
|
4+6 |
|
|
|
1+0+0 |
5+5 |
4+6 |
|
|
|
1+0 |
|
|
|
|
|
|
10 |
|
|
AMENOPHIS |
1 |
10 |
10 |
|
|
|
|
|
|
|
|
|
|
1+0 |
|
|
|
- |
1+0 |
1+0 |
|
|
|
|
|
|
|
|
|
|
|
|
|
AMENOPHIS |
1 |
1 |
1 |
|
|
|
|
|
|
|
|
5 |
EGYPT |
- |
- |
- |
- |
- |
- |
1 |
E |
5 |
5 |
5 |
|
- |
5 |
1 |
G |
7 |
7 |
7 |
- |
7 |
- |
1 |
Y |
25 |
7 |
7 |
- |
7 |
- |
1 |
P |
16 |
7 |
7 |
- |
7 |
- |
1 |
T |
20 |
2 |
2 |
|
- |
2 |
5 |
EGYPT |
73 |
28 |
28 |
- |
21 |
7 |
|
- |
7+3 |
2+8 |
2+8 |
- |
2+1 |
- |
5 |
EGYPT |
10 |
10 |
10 |
|
3 |
7 |
|
- |
1+0 |
1+0 |
1+0 |
- |
- |
- |
5 |
EGYPT |
1 |
1 |
1 |
|
3 |
7 |
MAGICIANS OF THE GODS
Graham Hancock 2016Page 425
Chapter 19
The Next Lost Civilization?
Page 425
More than two thousand flood myths that have come down to us from the remote past are eerily consistent on many points, and on one in particular: the cataclysm was not a random accident, we are told; we brought it upon ourselves by our own behaviour.
Our arrogance and our cruelty towards one another, our noise and strife and the wickedness of our hearts, angered the gods. We ceased to nurture spirit. We ceased to love and tend the earth and no longer regarded the universe with reverent awe and wonder. Dazzled by our own success, we forgot how to carry our prosperity with moderation.
So it was, Plato tells us, with the once generous and good citizens of Atlantis, who in former times possessed 'a certain greatness of mind, and treated the vagaries of fortune and one another with wisdom and forbearance', but who became swollen with overweening pride in their own achievements and fell into crass materialism, greed and violence:
To the perceptive eye the depth of their degeneration was clear enough, but to those whose judgement of true happiness is defective they seemed, in their pursuit of unbridled ambition and power, to be at the height of their fame and fortune.'
If ever a society could be said to meet all the mythological criteria of the next lost civilization - a society that ticks all the boxes - is it not obvious that it is our own? Our pollution and neglect of the majestic garden of the earth, our rape of its resources, our abuse of the oceans and the rainforests, our fear, hatred and suspicion of one another multiplied by a hundred bitter regional and sectarian conflicts, our /Page 426/ consistent track record of standing by and doing nothing while millions suffer, our ignorant, narrow-minded racism, our exclusivist religions, our forgetfulness that we are all brothers and sisters, our bellicose chauvinism, the dreadful cruelties that we indulge in, in the name of nation, or faith, or simple greed, our obsessive, competitive, ego-driven production and consumption of material goods and the growing conviction of many, fuelled by the triumphs of materialist science, that matter is all there is - that there is no such thing as spirit, that we are just accidents of chemistry and biology - all these things, and many more, in mythological terms at least, do not look good for us.
Meanwhile, we have made ourselves the possessors of a technology so advanced that it seems almost like magic, even while we use it constantly in our daily lives. Computer science, the internet, aviation, television, telecommunications, space exploration, genetic engineering, nuclear weapons, nanotechnology, transplant surgery . . . The list goes on and on, yet very few of us are able to understand how more than a tiny fraction of it works, and as it proliferates the human spirit withers and we engage in 'all manner of reckless crimes, wars and robberies and frauds, and all things hostile to the nature of the soul :2
Suppose for a moment that a cataclysm besets us, a cataclysm so vast that our complex, networked, highly specialised technological civilization collapses - collapses utterly beyond any hope of redemption. If such a scenario were to unfold it is likely that the meekest and most marginalised of the peoples who inhabit our world today - the hunter-gatherers of the Amazon jungle and the Kalahari desert, for example, who are used to making do with very little and whose survival skills are exemplary - would be the very ones most likely to make it through and therefore carry on the story of humanity in post-cataclysmic times.
How would their descendants remember us a thousand or ten thousand years from now? How, for example, might something that we regard as routine, like our ability to receive 24-hour rolling television news and hear sound and view images from all parts of the world, and even from outer space, be recollected in myth and tradition? Might it not be said wonderingly of us, as it was of 'the Forefathers' recalled in the Popol Vuh, the sacred book of the ancient Quiche Maya:
Page 427
They were endowed with intelligence; they saw and instantly they could see far, they succeeded in seeing, they succeeded in knowing all that there is in the world. When they looked, instantly they saw all around them, and they contemplated in turn the arch of heaven and the round face of the earth. The things hidden in the distance they saw all without first having to move; at once they saw the world, and so, too, from where they were, they saw it. Great was their wisdom; their sight reached to the forests, the lakes, the seas, the mountains and the valleys.3
Yet, in common with so many other memories that seem to hark back to an advanced lost civilization of prehistoric antiquity, we learn that in due course the 'Forefathers' became arrogant and proud and overstepped their bounds so that the gods asked: 'Must they perchance be the equals of ourselves, their Makers? Let us check a little their desires, because it is not well what we see.'4 Punishment swiftly followed:
The Heart of Heaven blew mist into their eyes, which clouded their sight as when a mirror is breathed on. Their eyes were covered and they could see only what was close, only that was clear to them. In this way all the wisdom and all the knowledge of [the Forefathers] were destroyed.3
It is interesting to note the mechanisms used by the gods to keep our ancestors in their place, as described in the Popol Vuh:
A flood was brought about by the Heart of Heaven . . . A heavy resin fell from the sky . . . The face of the earth was darkened and a black rain began to fall by day and by night . . .6 The faces of the sun and the moon were covered . .7 There was much hail, black rain and mist and indescribable cold . . .8
All these phenomena very accurately reflect the complex nature of the cataclysm that afflicted the earth 12,800 years ago at the beginning of the Younger Dryas cold epoch when, as we saw from the mass of evidence presented in Part II, many scientists are now certain that the earth . . ." ?????????
TO SLEEP PERCHANCE TO DREAM.
NO TIME!
AWAKEN FOR THE TIME THAT IS COMING NOW IS.
FRATERNAL GREETINGS CITIZEN OF THE CITY OF NINE GATES.
FRATERNAL GREETINGS CITIZEN OF PLANET EARTH.
FRATERNAL GREETINGS CITIZEN OF THE UNIVERSE.
FRATERNAL GREETINGS UNIVERSAL CITIZEN.
THANK YOU FOR RECEIVING THIS MESSAGE TO THE PEOPLE OF PLANET EARTH.
A PRESENT FROM THE PAST TO THE FUTURE PRESENT.
ANOTHER SIGN OF A SIGNAL.
IS 1836 IS
TO YOU THAT HAVE THE EYES THAT READ A BEATING ART.
THE WATER OF LIFE BORN OUT THE IN OF THE HOLY MOTHERS WOMB
THE SELF EVIDENT TRUTH
LET THOSE WHO HAVE EARS TO HEAR LET THEM HEAR.
CREATION REACTION
ELECTRIC = ET CIRCLE
ESOTERIC = O SECRET I = ESOTERIC
ESOTERIC 6 SECRET 9 = ESOTERIC
ESOTERIC = I SECRET O = ESOTERIC
ESOTERIC 9 SECRET 6 = ESOTERIC
EARTH HEART TERAH THERA
READ DEAR READ
REAL REALITY REVEALED
REALREALITYREVEALED
9 9 9 9 9 9 9 9 9 9
REALREALITYREVEALED
AMEN THE NAME
NAME MAN E MAN NAME
NAM E MAN
MAN 5 NAM
AMEN MANE MEAN
THE 6
HOLY 6
NAME 6
LIVE EVIL VEIL VILE LEVI
LIVED DEVIL
LIGHT DARK
SOUL SO U LIVE
SOUL SO U LEARN
SOUL SO U LOVE
OUT OF ZERO COMETH ONE.
1 - 8 – 3 - 6.
1 ONE YOU
8 EIGHT
3 THREE
6 SIX.
MAN NAM
NAM E MAN
MAN I NAME THEE E
RU LUCIFER.
L U C FIRE
3-3-3-FIRE
LET U C FIRE
PROMETHEUS
PROMETHEUS = MET ORPHEUS
PROMISETHEEUS
PROMISE THEE US MOTHER
- |
|
- |
- |
- |
|
THE |
33 |
15 |
|
|
RAINBOW |
82 |
37 |
|
|
LIGHT |
56 |
29 |
|
|
|
|
|
|
1+5 |
|
1+7+1 |
8+1 |
- |
|
|
|
|
|
SCULPTURE OF VIBRATIONS 1971
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5 |
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5 |
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|
|
6 |
|
|
|
|
|
|
|
|
16 |
SALAM PEACE SHALOM |
144 |
72 |
9 |
|
|
|
|
1+6 |
|
1+4+4 |
7+2 |
|
|
|
|
|
|
SALAM PEACE SHALOM |
|
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5 |
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5 |
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6 |
|
|
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|
|
|
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|
|
16 |
|
144 |
72 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+6 |
|
1+4+4 |
7+2 |
|
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1 |
1 |
|
19 |
10 |
|
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2 |
1 |
|
1 |
1 |
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3 |
1 |
|
12 |
3 |
|
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4 |
1 |
|
1 |
1 |
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5 |
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10 |
|
5 |
|
46 |
19 |
10 |
|
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|
6 |
1 |
|
16 |
7 |
|
|
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|
7 |
1 |
|
5 |
5 |
|
|
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8 |
1 |
|
1 |
1 |
|
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|
9 |
1 |
|
3 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
10 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
21 |
|
5 |
|
30 |
21 |
21 |
|
|
|
|
|
|
|
|
|
|
|
|
|
11 |
1 |
|
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
12 |
1 |
|
8 |
8 |
|
|
|
|
|
|
|
|
|
|
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|
13 |
1 |
|
1 |
1 |
|
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|
14 |
1 |
|
12 |
3 |
|
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|
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|
|
|
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|
15 |
1 |
|
15 |
6 |
|
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|
16 |
|
|
|
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|
23 |
|
16 |
|
68 |
32 |
23 |
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|
1+0 |
|
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|
|
|
|
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|
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|
|
|
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|
|
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|
|
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5 |
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5 |
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6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
16 |
|
144 |
72 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+6 |
|
1+4+4 |
7+2 |
|
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5 |
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5 |
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|
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
16 |
|
144 |
72 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+6 |
|
1+4+4 |
7+2 |
|
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1 |
1 |
|
19 |
10 |
|
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|
2 |
1 |
|
1 |
1 |
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3 |
1 |
|
12 |
3 |
|
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4 |
1 |
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1 |
1 |
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5 |
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6 |
1 |
|
16 |
7 |
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7 |
1 |
|
5 |
5 |
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8 |
1 |
|
1 |
1 |
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9 |
1 |
|
3 |
3 |
|
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|
10 |
1 |
|
5 |
5 |
|
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|
11 |
1 |
|
19 |
10 |
|
|
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|
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|
|
12 |
1 |
|
8 |
8 |
|
|
|
|
|
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|
|
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|
|
|
|
13 |
1 |
|
1 |
1 |
|
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|
14 |
1 |
|
12 |
3 |
|
|
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|
15 |
1 |
|
15 |
6 |
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16 |
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|
|
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|
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|
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|
54 |
|
16 |
|
144 |
72 |
54 |
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1+0 |
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5 |
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5 |
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6 |
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16 |
|
144 |
72 |
9 |
|
|
|
|
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|
|
|
|
|
|
|
|
|
1+6 |
|
1+4+4 |
7+2 |
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5 |
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5 |
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6 |
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16 |
|
144 |
72 |
9 |
|
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|
1+6 |
|
1+4+4 |
7+2 |
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1 |
1 |
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19 |
10 |
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2 |
1 |
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1 |
1 |
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4 |
1 |
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1 |
1 |
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8 |
1 |
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1 |
1 |
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11 |
1 |
|
19 |
10 |
|
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|
13 |
1 |
|
1 |
1 |
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3 |
1 |
|
12 |
3 |
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9 |
1 |
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3 |
3 |
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14 |
1 |
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12 |
3 |
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5 |
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16 |
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7 |
1 |
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5 |
5 |
|
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10 |
1 |
|
5 |
5 |
|
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|
15 |
1 |
|
15 |
6 |
|
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|
6 |
1 |
|
16 |
7 |
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|
12 |
1 |
|
8 |
8 |
|
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|
54 |
|
16 |
|
144 |
72 |
54 |
|
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|
1+0 |
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5 |
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5 |
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6 |
|
|
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|
|
|
|
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|
16 |
|
144 |
72 |
9 |
|
|
|
|
|
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|
|
|
|
|
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|
|
1+6 |
|
1+4+4 |
7+2 |
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5 |
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5 |
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6 |
|
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|
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|
16 |
|
144 |
72 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
1+6 |
|
1+4+4 |
7+2 |
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|
1 |
1 |
|
19 |
10 |
|
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|
2 |
1 |
|
1 |
1 |
|
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|
4 |
1 |
|
1 |
1 |
|
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|
8 |
1 |
|
1 |
1 |
|
|
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|
|
|
|
|
|
11 |
1 |
|
19 |
10 |
|
|
|
|
|
|
|
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|
|
|
13 |
1 |
|
1 |
1 |
|
|
|
|
|
|
|
|
|
|
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|
3 |
1 |
|
12 |
3 |
|
|
|
|
|
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|
|
|
|
|
|
9 |
1 |
|
3 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
14 |
1 |
|
12 |
3 |
|
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5 |
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16 |
|
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|
7 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
10 |
1 |
|
5 |
5 |
|
|
|
|
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|
|
|
|
|
|
|
15 |
1 |
|
15 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
6 |
1 |
|
16 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
12 |
1 |
|
8 |
8 |
|
|
|
|
|
|
|
|
|
|
|
54 |
|
16 |
|
144 |
72 |
54 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+0 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
16 |
|
144 |
72 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
1+6 |
|
1+4+4 |
7+2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
|
|
|
|
|
|
|
|
5 |
|
|
|
|
|
|
|
|
6 |
|
|
|
|
|
|
|
|
16 |
SALAM PEACE SHALOM |
144 |
72 |
9 |
|
|
|
|
1+6 |
|
1+4+4 |
7+2 |
|
|
|
|
|
|
SALAM PEACE SHALOM |
|
|
|
- |
|
- |
- |
- |
|
THE |
33 |
15 |
|
|
RAINBOW |
82 |
37 |
|
|
LIGHT |
56 |
29 |
|
|
|
|
|
|
1+5 |
|
1+7+1 |
8+1 |
- |
|
|
|
|
|
THIS IS THE SCENE OF THE SCENE UNSEEN
THE UNSEEN SEEN OF THE SCENE UNSEEN THIS IS THE SCENE
|
|
|
1 |
|
TAT |
41 |
5 |
|
|
|
|
2 |
|
TVAM |
56 |
11 |
|
|
|
|
3 |
|
ASI |
29 |
20 |
|
|
|
|
4 |
|
|
126 |
36 |
9 |
|
|
|
|
1+0 |
|
1+2+6 |
3+6 |
- |
- |
|
|
|
1 |
- |
9 |
9 |
9 |
|
|
- |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
19 |
|
THOU |
64 |
19 |
|
|
|
|
20 |
|
ART |
39 |
12 |
|
|
|
|
21 |
|
|
33 |
15 |
|
|
|
|
22 |
|
|
49 |
13 |
|
|
|
|
|
|
|
185 |
59 |
|
|
|
|
|
1+4 |
|
1+8+5 |
4+4 |
1+4 |
|
|
|
|
5 |
- |
14 |
8 |
5 |
|
|
|
|
|
|
1+4 |
4+4 |
- |
|
|
|
|
5 |
- |
5 |
8 |
8 |